From Mui Ne, I moved on to Ho Chi Minh City and almost immediately found myself on a tour out to the Cao Dai Holy See. Cao Dai is a new religion founded in Tay Ninh province near Ho Chi Minh City in the 20th Century. It’s a fusion of eastern and western religions and, according to Lonely Planet, incorporates elements of Buddhism, Taoism, Christianity, Confucianism, native Vietnamese spiritualism and Islam. Services are held four times a day at midnight, 6am, noon and 6pm. It was one of these services that my tour took me to see.
The architecture of the temple, just like the religion, had a mishmash of influences. The outlying pagodas had a pastel wedding cake feel so typical of western fairy tale castle architecture yet were unmistakeably shaped like Chinese pagodas.
The main temple building was much the same, where a Muslim-inspired dome that sat on Chinese-style tiled roofs was detailed with vaguely Baroque styling and topped with a Chinese qilin (unicorn).
The oddly disjointed design was somehow unified by the pastel colour scheme.
Worshippers in long white gowns were starting to stream in, a stark contrast to the colourful temple. Outside, venerated saints looked benevolently down from the pastel blue sky dotted with fuzzy clouds.
I couldn’t help my amusement at how the real weather was fair more threatening than the one painted on the walls, giving the temple an even more surreal feel.
And just inside the temple was a large mural with Sun Yat-sen, Victor Hugo and Viet poet Nguyen Binh Khiem writing out God and Humanity, Love and Justice in French and Chinese. My mind boggled trying to figure out the link between them.
The tourists then herded onto the balconies along the main sanctuaries, gawking at the blue skies and fluffy white clouds on the ceiling and the dragons plastered on the pastel pink pillars.
To my delight, the priests were dressed in stark primary colours, standing out brightly from the white-garbed laypeople. Each colour represented a different branch of Cao Dai.
The service commenced with lots of bowing, chanting and singing.
I very much enjoyed admiring the blocks of different colours and how they contrasted beautifully with the very cool floor tiles.
Too soon, the signal was given for tourists to leave, and we headed out of the temple past the choir singing dreamily, accompanied by traditional Chinese instruments.
The time for the surreal was over, now it was time for war tunnels and Cu Chi.